Tuesday, December 1, 2009

Give Words Power

Monday, 16 November, I wrote about How I Write and posted on the Black Rose of The Wild Rose Press blog. It was a very simple post designed to help the reader think about their basic writing process. However, writing is not really that simple. Tuesday, 17 November, I wrote about Things I Keep In Mind while writing and posted it on the Roses of Houston blog. There were three things I keep in mind. However, there are quite a few stylistic issues I keep in mind, as well. Tuesday, 24 November, I wrote about What's Your Style and posted it on the Roses of Houston blog. There were seven suggestions on improving style.


This week, we’re discussing nine ways to Give Words Power. Here are some tips courtesy of Gary Provost’s 100 Ways to Improve Your Writing by Gary Provost.


“Use short words.” (pg.73) – Mr. Provost’s reasoning is “short words tends to be more powerful and less pretentious.” Think Ernest Hemingway. For example…rape versus sexual assault.


“Use dense words.” (pg. 74) – Dense words hold lots of meaning. For example…bifocals instead of glasses with lenses for near and far distances.


“Use familiar words.” (pg. 74) – Don’t use words the reader may not know. Readers of fiction rarely want to need a dictionary to understand the book. How many people know epicene is the same thing as effeminate or unmanly?


“Use active verbs.” (pg. 75) – Active verbs involve the reader by conveying action and motion. Was with anything …ing is passive. For example…He was moving in her direction versus He moved in her direction.


“Use strong verbs.” (pg. 76) –


“Turn look into stare, gaze, peer, or gawk.”


“Use specific nouns.” (pg. 78) – Specific nouns contain descriptors within them. Prostitute conveys more meaning than woman.


“Use the active voice.” (pg. 80) – Active voice involves the reader in the same way active verbs do. For example…The car was driven by John versus John drove the car.


“Be specific.” (pg. 83) – Details draw the reader in, but beware too many details. For example…She wore a dress versus She wore a white empire dress decorated with tiny pink bows.


“Put emphatic words at the end.” (pg. 87) – Put what you want the reader to focus on at the end. Don’t bury it in the middle. For example…Mary went to the ball to dance, not to talk versus Mary did not go to the ball to talk, but to dance.


Next week...Avoiding grammatical and punctuation errors.

Monday, November 30, 2009

Huge Prize!!! A Time-Guardian cache of treasure...

Please join me at my new newsletter yahoo group. I'm hoping the yahoo-group information-delivery system makes life easier on my end. To celebrate the big switch from a more traditional newsletter to this format, I've prepared a contest with a prize pilfered from prized Time-Guardian loot. Collected from various periods and places along the timeline by humanitarian men and women, this cache of treasures is destined to send its winner on a rare personal journey. Unfortunately, only one person will win. How to enter, you ask... Everyone joining this group before December 31st, midnight, CST will be entered to win the following prize:

1 box GOOD MEDICINE Native American herbal tea (in honor of the Native-American
hero of my novel FORBIDDEN ETERNITY)

2 vials cinnamon oil (flavoring guaranteed to spice up baked goods that's
reminiscent of a Time Guardian Ring Master, i.e. dragon's breath. Use with
caution.)

1 Voodoo Doll Little Wizard keychain (Little Wizard can help acheive a goal in
school or work. He can help dreams come true, but only for someone else. He can
not help his owner. HE OF THE FIERY SWORD's King Arthur could have used one!)

1 AN ENGLISH LADYMASS: MEDIEVAL CHANT AND POLYPHONY album by Anonymous 4 (for
the medieval period feel)

1 SCOTTISH TEATIME RECIPES (To reproduce a bit of SWORDSONG ambiance; ISBN:
1-898935-18-9)

The wee-est scrimshaw sailing-ship pendant (For those Time-Guardian wannabes
like Twila Deeds in SACRIFICIAL HEARTS yearning for a journey through time and
across space...)

Best of luck, my friends! ~Skhye

Find Skhye online:
http://skhyemoncrief.com
http://timeguardians.com
http://blog.skhyemoncrief.com
http://myspace.com/skhyemoncrief

Wednesday, November 25, 2009

If I Build it, Will You Come?

I’ve been busy building a new place for writers to hang out.  If you’ve become so immersed in contests, online classes, promoting your books and stories, tweaking your websites, Twittering and/or using every excuse under the sun to put off actual writing, then come join me at my new blog:  Just Write! With Anne Marie Novark.

Just Write! is a place for writers to set weekly writing goals and be held accountable for making them.  We will be supporting one another and encouraging performance and output, no matter how great or small. The most important thing is to write, write, write!!! 

Let’s put the joy and fun back into the writing.  I know that I’m miserable when I’m not writing; you probably are, too.  Let’s remember why we’re out there entering contests and promoting our books.  We are writers, therefore we must write.

Readers are also welcome to see behind the scenes of fiction writing.  Witness the blood, sweat and tears that go into writing books and stories.  Hang out with your favorite authors.

To find out more, check out Just Write! with Anne Marie Novark. 

Tuesday, November 24, 2009

What's Your Style?

Monday, 16 November, I wrote about How I Write and posted on the Black Rose of The Wild Rose Press blog. It was a very simple post designed to help the reader think about their basic writing process. However, writing is not really that simple.


Tuesday, 17 November, I wrote about Things I Keep In Mind while writing and posted it on the Roses of Houston blog. There were three things I keep in mind. However, there are quite a few stylistic issues I keep in mind, as well.


Here are some more tips courtesy of Gary Provost’s 100 Ways to Improve Your Writing by Gary Provost.


“Mimic spoken language.” (pg. 59) – Mr. Provost applies this to writing as a whole. However, I have a very specific example. In academia, you do not use contractions. Period. In conversation you do. One of the reviewers of His Ship, Her Fantasy pointed out my lack of use of contractions. Oops! Needless to say I make sure my dialogue is more natural sounding now…or, at least, I try!


“Vary sentence length.” (pg. 60) – Too many sentences of the same length are monotonous. You want your writing to flow.


“Vary sentence construction.” (pg. 61) – Too many sentences structured the same way are also monotonous.


“Show don’t tell.” (pg. 65) – This deserves a whole post of its own. And will receive one sometime in the future. Showing draws the reader into the story, lets them experience it for themselves.


“Keep related words together.” (pg. 66) – Keep adjectives near their nouns and dependent clauses near the words they depend on for their meaning.


“Use parallel construction.” (pg. 67) – This is useful when you’re trying to show the similarity or importance of certain information.


“Don’t force a personal style.” (pg. 68) – This is the most important thing. Each writer has his/her own style that comes naturally. Don’t sacrifice your unique voice to adhere to a set of rules.


What’s your style?


More next week on giving words power…

Monday, November 23, 2009

You Are Not a Camera

Novelist’s Boot Camp by Todd Stone
Drill 76, Page 226

As writers we have to rely on words to get our thoughts across to our readers. We have to form a picture in their minds of vivid as if they are in the scene with our characters. But as Todd Stone addresses in Drill 76, we are not cameras. There is more to description than just being “a word photo you can see.”

1. Good description is selective, much more than a snapshot of the setting. You don’t want to just describe the snapshot in your mind of the scene’s setting, because it “wouldn’t convey what you want your reader to hear, touch, taste and smell.” A photograph is one-dimensional. It doesn’t do anything but show. You want your reader in the scene—feeling the crisp air and the ring box in his pocket (or is it a gun?), smelling the floral fragance in the air, hearing the birds singing and the clacking of shoes on the pavement. However, you do not want to overload your reader with an over abundance of senses, either.

As a writer, you need to find a common ground, crafted “from the many details available in reality.” Be selective in your choices. Which ones move the story forward?

My novella SALVATION BRIDE takes in a small Texas town in 1873. The story opens with the hero and heroine meeting for the first time. She has arrived on a stage coach. I describe the town, the stage coach and her looks, as we’re in his POV. I leave out the body order (she has been on a stage for very several days), as well as the smell of sweaty horses and manure. I also don’t go into minute detail about the hot, dusty town. None of these details are important to the reader, but even more important, these are facts of life in 1873. Would the hero even notice the smell of the sweaty horses or manure? Would he not notice, instead, the soft scent of roses wafting from the heroine?

2. Good description has a purpose (or purposes) other than description. Good writers do not write description just to fill a blank page. “The purpose of fiction is to cause the reader to have an emotional experience,” Todd says. Description, therefore, should be a tool to “enhance the reader’s emotional experience of your story…Good description feels more real, more exciting and more interesting than reality. To fake it even better,” he says, “make your description personal.” What is the hero or heroine seeing, feeling, tasting, touching, hearing?
In Drill 77, Todd helps explain how to make it more personal. His suggestions include using personification (attributing human qualities to an animal, object or idea) and objectification (representing an abstract idea or principle as a physical thing) pg 228.

When you write a scene do you try to include all five senses? Do you have some good (or bad) examples of personification or objectification? Post a comment to win three books: THE DARK TIDE by Andrew Gross, BREAK UP TO MAKE UP by Fiona Harper, and SALVATION BRIDE by Anna Kathryn Lanier (this is an e-book).

Writing assignment to do if you wish to (feel free to Post): Write a short paragraph describing the picture above.

To enter the drawing, you don’t have to do the writing assignment, just leave a comment.

Read about Todd's suggestions for plotting your story in my earlier blog on Take Three Steps to Story Line, Drill 42.

Anna Kathryn Lanier
Where Tumbleweeds Hang Their Hats

http://www.aklanier.com/
http://annakathrynlanier.blogspot.com/

Monday, November 16, 2009

Things I Keep in Mind

Monday, 16 November, I wrote about How I Write and posted on the Black Rose of The Wild Rose Press blog. It was a very simple post designed to help the reader think about their basic writing process. However, writing is not really that simple.


There are numerous things I try and keep in mind while I’m writing. Then, during proofreading, I check for these same things. What are they, you ask?


One of the books I read, after I received my first critique was 100 Ways to Improve Your Writing by Gary Provost. He has a lot of useful tips, but these are some I keep in mind.


“Don’t explain when you don’t have to.” (pg. 48)

For example, don’t tell the reader how you made the peanut butter and jelly sandwich. You can just say, “I made a peanut butter and jelly sandwich.” Unless, of course, there is something special about the way you make it. Say, for instance, like you add mayonnaise and do a little happy dance before your first bite. (Did I get your attention?)


“Avoid wordiness.” (pg. 50)

You want your writing to be clear and direct. Don’t add a bunch of extra, superficial, completely useless, and unnecessary words.


“Prefer good writing to good grammar.” (pg. 116)

Perfect grammar does not guarantee your writing will be interesting, and may not convey your meaning or strike a realistic cord. The best example I can think of is the use of contractions. A no-no in academic and professional writing, it’s a must in dialogue.


Stop back by next week when I talk about style.

Friday, November 13, 2009

13: WHAT'S IN A NUMBER?



Today's my day to blog about writing tips over at the WRP Black Rose blog. Think symbolism and characterization... And hang out over there the rest of the month for writing tips! ~Skhye

TIME GUARDIANS
Open the door to a new reality where legend becomes history and destined love defeats timeless evil. Dare to walk in their footsteps...

"FORBIDDEN ETERNITY ... spine-tingling suspense. The story is dynamite; it explodes off the pages and leaves you breathless for more." ~Tulip, LASR

"... a unique blend of mystic Medieval Gothic and romance…and a true blood-curdling thriller." THE SPELL OF THE KILLING MOON ~Snapdragon, LASR

"Arthur is a masterpiece..." HE OF THE FIERY SWORD's King Arthur ~Diane Mason; The Romance Studio

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